書籍推介及售賣

An accessible account of playback theatre's origins, practice and philosophy, illustrated with real-life stories from performances. Includes 15 photos and a glossary of playback terms. Author Jo Salas is a founding member of the original company and now teaches playback internationally.

Acts of Service provides a rationale for contemporary, interactive, nonscripted theatre and connects it to the earliest forms of storytelling. There are chapters on spontaneity, improvisational performance, and theatre for social ecology. The author draws upon oral studies, psychodrama, years spent in the third world, and his experience as founder of playback theatre.

Do my story, sing my song tells the stories of children in residential treatment, diagnosed as severely emotionally disturbed, who took part in music and drama therapy with the author. Engaging, informative, and moving, this book is for general readers, teachers, parents, artists, therapists, policy makers, and anyone interested in children and the arts within or beyond therapeutic contexts.

Half of My Heart/La Mitad de Mi Corazón is a bilingual, photo-illustrated collection of true stories told by immigrants from Mexico and other Latin American countries. The transcribed narratives, ranging from a few lines to several pages, present a vivid and moving picture of the realities of immigration, told in the immigrants’ own words.

The Essential Moreno was first published by Springer Publishing Company in 1987 and has been a classic in the psychodrama literature since then, with numerous foreign-language editions. Tusitala is pleased to take over the publication of this important collection of excerpted writings of psychodrama’s legendary founder J. L. Moreno, including basic and advanced concepts and techniques, and verbatim transcripts of psychodrama sessions.

Zoomy Zoomy is a collection of dynamic, well-tested, and easy-to-follow theatre games, warm-ups, and exercises for leaders working with groups of all ages, including theatre teachers, directors, classroom teachers, and group facilitators. Author Hannah Fox has collected and, in many cases, invented these activities over years of facilitating groups and performing. She also shares her wisdom as an experienced group leader about how to use the exercises—when and why to select them, how to introduce them, and how to lead them.

一人一故事劇場屬於即興劇場的一種，並著力於觀眾與演員的關係。自從一人一故事劇場引入香港以來，發展迅速。而2003年一人一故事劇場國際會議在日本舉行，亦促使香港展能藝術會推出這本文集，作為對一人一故事劇場在香港澳門和內地發展的一個總結和展望。本書集合了不同界別人士，當中包括社工、老師和非政府組織代表等，對一人一故事劇場的意見、經驗分享和反思，作為對日後發展的一個指標。